Session: Posters 1

Chair: TBA

• Wednesday 2025-06-25 13:30-14:30 AEST
• Location: Kambri Foyer
• Type: posters

Presentations:

• Anonymized Project Name: A Neural Network-Based Granular Synthesizer for Oceanic Soundscapes
  by Sabina Hyoju Ahn; Ryan Millett; Seyeon Park
  
• Instant Design: Five Strategies for the use of Generative AI in NIME Ideation Workshops
  by Hugh Aynsley; Pete Bennett; Dave Meckin; Sven Hollowell; Thomas J. Mitchell
  
• Finding Kinesthetic Empathy: A Study to Discover Metrics to Measure Kinesthetic Empathy During Interactive Music Performance
  by Ryan Ingebritsen; Daniel Evans; Christopher Knowlton
  
• You’re An Instrument!: Creating active music-making experiences through worldbuilding and storytelling
  by Ciaran Frame; Erick Mitsak; Alon Ilsar
  
• Appropriating Technology for Interactive Media in Theatre: Design Strategies and Aesthetic Insights
  by Ruoxi Jia; Xuebiao Liu
  
• Harmonix Series: Accessible Digital Musical Instruments for Mindfulness and Creativity
  by Wing Hei Cheryl Hui; Patrick Hartono
  
• Out-of-Control Feedback Systems and Collaborative Influence with the Instrumentalist Mixer Feedback Transmutation System
  by Nolan Hildebrand; Timothy Roth
  
• Repurposing a Rhythm Accompaniment System for Pipe Organ Performance
  by Nicholas Evans; Behzad Haki; Sergi Jorda
  
• Turntable-Based Electronic Music and Embodied Audience Interaction
  by Tak Cheung Hui; Xiaoqiao Li; Yu Chia Kuo
  
• Making the Immaterial Material: A Diffractive Approach Toward a Politics of Material Culture Within NIME
  by Brittney Allen; Andrew Mcpherson; Alexandria Smith; Jason Freeman
  
• Creating a White Noise Instrument for Collaborative Improvisation
  by Austin Oting Har; Kurt Mikolajczyk
  
• XR Musical Keyboard: An Extended Reality Keyboard with an Arbitrary Number of Keys and Pitches
  by Tatsunori Hirai; Jack Topliss; Thammathip Piumsomboon
  
• A Computer Application to Explore 53-Tone Equal Temperament Harmonies Through Modal Interchange
  by David Dalmazzo; Ken Déguernel; Bob Sturm
  
• Introducing EG-IPT and ipt~: a novel electric guitar dataset and a new Max/MSP object for real-time classification of instrumental playing techniques
  by Marco Fiorini; Nicolas Brochec; Joakim Borg; Riccardo Pasini
  
• LIMITER: A Gamified Interface for Harnessing Just Intonation Systems
  by Antonis Christou
  
• Sculpting the Sound Atom: Towards Per-Grain Parameterisation and Interfacing in Granular Synthesiser Design
  by Nathan Carter; Jim Murphy; Mo Zareei
  
• Waveform Autoencoding at the Edge of Perceivable Latency
  by Franco Caspe; Andrew McPherson; Mark Sandler
  
• Collaboration and Recursion: reflections on Chinese calligraphy and feedback
  by Iurii Kuzmin; Raul Masu; Omar Al Kanawati
  
• pybela: a Python library to interface scientific and physical computing
  by Teresa Pelinski; Andrew McPherson