Program by Track

Papers:

• Between Garment and Prosthesis: The Design of an E-Textile Musical Interface
  by Qiaosheng Lyu; Ryo Ikeshiro
  
• Towards Neurodiverse Sensemaking: Pluralizing Agency in Wearable Music and Participatory Workshopping
  by Seth Thorn; Anani Vasquez; Corey Reutlinger; Margarita Pivovarova; Mirka Koro
  
• Visually-Led Design for Gestural Audiovisual Instruments
  by Sam Trolland; Alon Ilsar; Jon McCormack
  
• Hyperwilding: Sonic Perplexity as Urban Acupuncture to Promote Environmental Kinship
  by Shomit Barua
  
• Drawing Space with Rain: The Umbrella as a Flow Interface
  by Kana Yamaguchi; Yuga Tsukuda; Yoichi Ochiai
  
• Drum Modal Feedback: Concept Design of an Augmented Percussion Instrument
  by Lewis Wolstanholme; Jordie Shier; Rodrigo Constanzo; Andrew McPherson
  
• Evolving the Living Looper: Artistic Research, Online Learning, and Tentacle Pendula
  by Victor Shepardson; Halla Steinunn Stefánsdóttir; Thor Magnusson
  
• Audiation Development System for Gugak's Fluid Musical Parameters Utilizing Audio Feedback Stimuli
  by Michaella Moon; Dale Carnegie; Jim Murphy
  
• Threading the Sound: The Carpet Tufting Gun as an Electroacoustic Performance Interface
  by Joseph Burgess; Toby Gifford
  
• Designing Percussive Timbre Remappings: Negotiating Audio Representations and Evolving Parameter Spaces
  by Jordan Shier; Rodrigo Constanzo; Charalampos Saitis; Andrew Robertson; Andrew McPherson
  
• Simulated EEG-Driven Audio Information Mapping Using Inner Hair-Cell Model and Spiking Neural Network
  by Pasquale Mainolfi
  
• EMMA: Enhancing Real-Time Musical Expression through Electromyographic Control
  by João Coimbra; Luís Aly; Henrique Portovedo; Sara Carvalho; Tiago Bolaños
  
• Aquapella- Gestural Interactions with Liquid Turbulence as Musical Expression
  by John Lettang; August Black
  
• From Performance to Installation: How Interactive Reinforcement Learning Reframes the Roles of Performers and Audiences
  by Danny Perreault; Victor Drouin-Trempe; Vincent Cusson; David Drouin; Sofian Audry;
  
• Looping slowly: Diffraction through the lens of nostalgia
  by Benedict Gaster; Nathan Renney; Jasmine Butt
  
• Longevity of Deep Generative Models in NIME: Challenges and Practices for Reactivation
  by Isaac Clarke; Francesco Ardan Dal Rí; Raul Masu
  
• Embodying Sustainability: Paving Opportunities for NIME Research
  by Xinran Chen; Iurii Kuzmin; Mela Bettega; Raul Masu
  
• Ongoing Production of a “Growing Instrument” Using Mycelium-Based Materials
  by Taisei GOTO; Kazuhiro JO
  
• Synthetic Ornithology: Machine learning, simulations and hyper-real soundscapes
  by Frederick Rodrigues
  
• Touching Wires: tactility and a quilted musical interface for human-AI musical co-creation
  by Sandy Ma; Charles Patrick Martin
  
• Adaptation and Perceived Creative Autonomy in Gesture-Controlled Interactive Music
  by Jason Smith; Jason Freeman
  
• Gesture-Driven DDSP Synthesis for Digitizing the Chinese Erhu
  by Wenqi WU; Hanyu QU
  
• Enabling Embodied Music-Making for Non-Musicians
  by Lucía Montesínos; Halfdan Hauch Jensen; Anders Løvlie
  
• Chimera: Prototyping a New DMI for Congenital One-Handed Musicianship Through an Autoethnographic Lens
  by Mat Dalgleish
  
• The Slide-A-Phone: a Tactile Accessible Musical Instrument
  by Andrew McMillan; Fabio Morreale
  
• Designing Sensory NIME for Autism
  by Aditya Arora; Erica Tandori; James Marshall; Stuart Favilla
  
• The Sound Tree Project: Developing Personal and Collective Expression with Accessible Digital Musical Instruments
  by Steph OHara; Alon Ilsar
  
• Entangling with Light and Shadow: layers of interaction with the pattern organ
  by Jasmine Butt; Benedict Gaster; Nathan Renney; Maisie Palmer
  
• (De)Constructing Timbre at NIME: Reflecting on Technology and Aesthetic Entanglements in Instrument Design
  by Charalampos Saitis; Courtney N. Reed; Ashley Laurent Noel-Hirst; Giacomo Lepri; Andrew McPherson
  
• Negotiating Entanglements in the Composition and Curation of an Ultrasonic Art Installation
  by Nicole Robson; Andrew McPherson; Nick Bryan-Kinns
  
• Hacking Sound, Hacking History: Patricia Cadavid and the Electronic_Khipu_
  by Margaret Needham
  
• NIME: A Mis-User's Manual
  by Sally Jane Norman; Paul Stapleton; John Bowers
  
• The Imperfect Copy: Role Playing Reenactments of Historical Electronic Sound Instruments
  by Derek Holzer; Henrik Frisk; André Holzapfel
  
• The Memory Cloud: Personal media libraries as affordance and constraint
  by Yann Seznec
  
• O一: An Epistemic DMI for Cross-Cultural Reflection on Time and Music
  by Hanyu Qu; Francesco Dal Rí; Hao Zou; Hanqing Zhou; Raul Masu
  
• Collaborative Musical Expression Through Interactive VR Scores
  by David Kim-Boyle
  
• SVOrk: Stanford Virtual Reality Orchestra
  by Kunwoo Kim; Andrew Zhu; Eito Murakami; Marise van Zyl; Yikai Li; Max Jardetzky; Ge Wang
  
• AR Matchmaking: The Compatibility of Musical Instruments with an AR Interface
  by Hyunkyung Shin; Henrik von Coler
  
• Physical Music Albums in the Digital Era: Exploring Experiential Value Through the Integration of AR
  by Ena Fumihira; Andrew Johnston
  
• Exploring the impact of spatial awareness on large-scale AR DMIs
  by Qiance Zhou; Charles Patrick Martin
  
• Eco-Sonic Interfaces for Embodied AI Sound Exploration
  by Sabina Hyoju Ahn; Ryan Millett; Seyeon Park
  
• Instant Design: Five Strategies for the use of Generative AI in NIME Ideation Workshops
  by Hugh Aynsley; Pete Bennett; Dave Meckin; Sven Hollowell; Thomas J. Mitchell
  
• A Study to Discover Metrics to Measure Kinesthetic Empathy During Interactive Music Performance
  by Ryan Ingebritsen; Daniel Evans; Christopher Knowlton
  
• XR Musical Keyboard: An Extended Reality Keyboard with an Arbitrary Number of Keys and Pitches
  by Tatsunori Hirai; Jack Topliss; Thammathip Piumsomboon
  
• Appropriating Technology for Interactive Media in Theatre: Design Strategies and Aesthetic Insights
  by Ruoxi Jia; Xuebiao Liu
  
• pybela: a Python library to interface scientific and physical computing
  by Teresa Pelinski; Giulio Moro; Andrew McPherson
  
• Waveform Autoencoding at the Edge of Perceivable Latency
  by Franco Caspe; Andrew McPherson; Mark Sandler
  
• Out-of-Control Feedback Systems and Collaborative Influence with the Instrumentalist Mixer Feedback Transmutation System
  by Nolan Hildebrand; Timothy Roth
  
• Introducing EG-IPT and ipt~: a novel electric guitar dataset and a new Max/MSP object for real-time classification of instrumental playing techniques
  by Marco Fiorini; Nicolas Brochec; Joakim Borg; Riccardo Pasini
  
• Repurposing a Rhythm Accompaniment System for Pipe Organ Performance
  by Nicholas Evans; Behzad Haki; Sergi Jorda
  
• Turntable-Based Electronic Music and Embodied Audience Interaction
  by Tak Cheung Hui; Xiaoqiao Li; Yu Chia Kuo
  
• You’re An Instrument!: Creating active music-making experiences through worldbuilding and storytelling
  by Ciaran Frame; Erick Mitsak; Alon Ilsar
  
• Sculpting the Sound Atom: Towards Per-Grain Parameterisation and Interfacing in Granular Synthesiser Design
  by Nathan Carter; Jim Murphy; Mo Zareei
  
• Harmonix Series: Accessible Digital Musical Instruments for Mindfulness and Creativity
  by Wing Hei Cheryl Hui; Patrick Hartono
  
• Creating a White Noise Instrument for Collaborative Improvisation
  by Austin Oting Har; Kurt Mikolajczyk
  
• Collaboration and Recursion: reflections on Chinese calligraphy and feedback
  by Iurii Kuzmin; Raul Masu; Omar Al Kanawati
  
• A Computer Application to Explore 53-Tone Equal Temperament Harmonies Through Modal Interchange
  by David Dalmazzo; Ken Déguernel; Bob Sturm
  
• Making the Immaterial Material: A Diffractive Approach Toward a Politics of Material Culture Within NIME
  by Brittney Allen; Andrew Mcpherson; Alexandria Smith; Jason Freeman
  
• LIMITER: A Gamified Interface for Harnessing Just Intonation Systems
  by Antonis Christou
  
• Decoupling Physical and Virtual Spaces in Co-Located Collaborative Mixed Reality Instruments with gRAinyCloud
  by Pierrick Uro; Florent Berthaut; Thomas Pietrzak; Marcelo Wanderley
  
• VentHackz: Exploring the Musicality of Ventilation Systems
  by Maham Riaz; Ioannis Theodoridis; Çağrı Erdem; Alexander Refsum Jensenius
  
• The Sparksichord: Practical Implementation of a Lorentz Force Electromagnetic Actuation and Feedback System
  by Adam Schmidt; Jeffrey Snyder; Gian Torrano Jacobs; Joyce Chen; Joseph Gascho; Andrew McPherson
  
• Creating a Real-Time Responsive Handbalancing Interface with HAND★CS
  by Linnea Kirby; Christiana Rose; Jeremy Cooperstock; Marcelo Wanderley
  
• The Shadow Harvester: Sonifying the Body Through Light
  by Darlene Castro
  
• Exploring Musical Creation Through Brain-Body Digital Musical Instruments
  by Yue Wang; Meiling Wu
  
• Mixer Metaphors: audio interfaces for non-musical applications
  by Tace McNamara; Jon McCormack; Maria Teresa Llano
  
• ViVo: Piano Learning Through Visualizing Vocalizations on a Lighted Keyboard
  by Maya Caren
  
• Tiny Touch Instruments: Composing for Collaborative Mobile Performance
  by Rebecca Abraham
  
• The EV: An Iterative Journey in Digital-Acoustic String Instrument Augmentation
  by Brian Lindgren
  
• Live Improvisation with Fine-Tuned Generative AI: A Musical Metacreation Approach
  by Misagh Azimi; Mo H. Zareei
  
• Towards the Continuous Harmonium: Replicating the Continuous Keyboard
  by Travis West; Ninad Puranik; Marcelo Wanderley; Gary Scavone
  
• Maximum Silence to Noise: Sound synthesis for responsive gestural control
  by Andrew Brown
  
• SwimTunes: A gamified music performance system for co-creating with a novice audience
  by Thomas Studley
  
• A Synthetic Cicada Soundscape Controlled by Breath
  by Toby Gifford
  
• Augmentation of a Historical Harpsichord Keyboard Replica for Haptic-Enabled Interaction in Museum Exhibitions
  by Matthew Hamilton; Michele Ducceschi; Roberto Livi; Catalina Vicens; Andrew McPherson
  
• PanMan - a modular tangible controller for sound spatialization
  by Krzysztof Cybulski; Szczepan Busko; Zachariasz Zalewski
  
• Sonicolour: Exploring Colour Control of Sound Synthesis with Interactive Machine Learning
  by Tug F. O'Flaherty; Luigi Marino; Charalampos Saitis; Anna Xambó Sedó
  
• A Spherical Tape Topology for Non-linear Audio Looping
  by Kevin Blackistone
  
• Metabow: Gesture Mapping in Immersive Sonic Environments
  by Davor Vincze; Roberto Alonso; Peter Nelson
  
• Exploiting Latency In The Design Of A Networked Music Performance System For Percussive Collective Improvisation
  by Ari Liloia; Roger Dannenberg
  
• Hybrid Hand Drum: Where Tradition Resonates Through Technology
  by Casper Preisler; Daniel Overholt
  
• Embedded Comparo: Small DSP Systems Side-by-Side
  by Francesco Di Maggio; Bart Hengeveld; Atau Tanaka
  
• Two Sonification Methods for the MindCube
  by Fangzheng Liu; Lancelot Blanchard; Don D Haddad; Joseph Paradiso
  
• Acoustic-digital hybrid synthesizer
  by Levin Schnabel; Dan Overholt
  
• The Drum Machine of Tao
  by Xiaowan Yi; Mathieu Barthet
  
• Tapping Into a New Paradigm: A Synthetic Strategy for Automatic Drum TapScription
  by André Santos; Amílcar Cardoso; Matthew E. P. Davies; Roger B. Dannenberg
  
• Towards a Repository Template for Music Technology Research
  by Alessandro Fiordelmondo; Matteo Spanio; Patricia Cadavid; Xinran Chen; Sergio Canazza; Raul Masu
  
• Designing A Tangible Rhythmic Interface for Digital Drum Talk
  by Pierre-Valery Tchetgen
  
• AI Harmonizer: Expanding Vocal Expression with a Generative Neurosymbolic Music AI System
  by Lancelot Blanchard; Cameron Holt; Joseph Paradiso
  
• Luna: An AR Musical Instrument on the Meta Quest 2
  by Samuel Dietz; Charles Patrick Martin
  
• A Gesture-Based Approach to Spatialization in Dolby Atmos
  by Vitor Pinheiro
  
• ChuMP: The Zen and Art of Package Management
  by Nicholas Shaheed; Ge Wang
  
• Synthesizing Music with Logic Gate Networks
  by Ian Clester
  
• SMucK: Symbolic Music in ChucK
  by Alexander Han; Kiran Bhat; Ge Wang
  
• Melia: An Expressive Harmonizer at the Limits of AI
  by Matthew Caren; Joshua Bennett
  
• GraviTone: A Tangible Musical Interface using Gravity Well for Sound and Music Creation
  by Kratika Jain; Allwin Williams; Akhilesh Kumar Bhagat; Sukanth K; Arunav Rajesh; Prashant Pal; Krishanan Chandran; Rajashekhar V S; Anandu Ramesh; Gowdham Prabhakar
  

Music:

• State Change: Merging Adaptive Music Technology with Disability Aesthetics
  by Molly Joyce
  
• (un)Stable (dis)Connection
  by Misagh Azimi
  
• Carpet Entanglement
  by Joseph Burgess
  
• {riversynth}
  by Leah Barclay; Toby Gifford
  
• Playing the sound image – Individual immersive sound performance by a performer wearing parametric speakers -
  by risako shibata; miki kanda; kenta tanaka; ryoho kobayashi; yuta uozumi; shinya fujii
  
• Interstellar
  by Ivica Bukvic; Thomas Tucker
  
• Diffractive Constellations: A Modular System for Acoustic Violin Programmed in Max/Gen
  by Seth Thorn
  
• Breathing I
  by Sophie Rose
  
• Breathing III
  by Sophie Rose
  
• Gaia is hanging by a thread...
  by Taurin Barrera
  
• Sonic Crucible Entanglements
  by Jordan Lacey; Toby Gifford; Mick Harding
  
• Housework Commons: Textile Rhetorics II
  by Jocelyn Ho
  
• Echoes of Nature's Heritage - Composed for a custom-made data-driven instrument
  by Yixuan Jin
  
• My sunset is your sunrise, yet we touch
  by Dirk Stromberg; Jocelyn Ho; MIchal Seta
  
• Becoming
  by Lilian Zhao
  
• We’re in this together: Expanding Interactive Sonic Spaces
  by Davor Vincze; Maurice Oeser
  
• Adaptive Elusion
  by Palle Dahlstedt
  
• What We Do (Differently) Together
  by Palle Dahlstedt
  
• Mulholland Revisited
  by Héloïse Garry
  
• MSN/AV (Maximum Silence to Noise/Audio-Visual)
  by John Ferguson; Andrew Brown
  
• The Walkable Instrument: Modular Patches as Entangled Environments in OpenSoundLab
  by Ludwig Zeller; Anselm Bauer
  
• EDO Artifacts
  by Gregg Oliva
  
• transcriptions
  by Takuma Kikuchi; Riki Saito; Risako Shibata; Atsuya Tsuchida; Kenshiro Taira; Nimisha Anand; Ryoho Kobayashi; Yuta Uozumi; Shinya Fujii
  
• Echoic Defiance of Gravity
  by Ji Won Yoon; Woon Seung Yeo
  
• Kamer/Ton – a system for analog audio-video feedback
  by Krzysztof Cybulski
  
• Diffy
  by Jordan Shier; Xiaowan Yi
  
• Xylocyclos
  by Alyssa Wixson; Oliver George-Brown
  
• Screenless Optical Theremin with Tremolo (ScOTT)
  by Michael Gancz; Justin Berry; Shu Wei; Jake Shaker; Kimberly Hieftje; Asher Marks
  
• Improvising with "GravField": A Participatory Performance Exploring How Digital Objects Mediate Intercorporeal Movements within Collocated Mixed Reality
  by Botao Hu; Yuemin Huang; Mingze Chai; Xiaobo Hu; Yilan Tao; Rem RunGu Lin
  
• O一
  by Hanyu Qu; Francesco Dal Rí; Hao Zou
  
• Tentacle Orbits
  by Tara pattenden
  
• Tesseract
  by Vijay Thillaimuthu
  
• PANIC!
  by Benjamin Swift
  
• Synthetic Ornithology
  by Frederick Rodrigues
  
• Traceless
  by Xuedan Gao; Xinchen Liu
  
• Point Line Piano VR
  by Jaroslaw Kapuscinski; Marc Downie; Paul Kaiser
  
• Glass and Fans: Spatial Infra-Instrument Framework
  by Melanie Buntine; Anthony Lyons; Heather Gaunt; Eugene Ughetti
  
• Bending Nature: An Architectural Sound Installation Exploring the Resonance of Architectural Texture and Natural Sound
  by Han Xu; Zehao Wang
  
• Belly of the Beast
  by Jacob Hedges; Daniel Garrett; Jaxon Sharp
  
• AirPens: Musical Doodling
  by Ciaran Frame; Steph O'Hara; Sam Trolland; Alon Ilsar
  
• Breathing with the Forest
  by Toby Gifford
  
• Orbis
  by Yukihiro Sugawara; Kotaro Watanabe; Shinnosuke Hirose; Moe Miyake; Kenshiro Taira; Sakura Takada; Ryoho Kobayashi; Yuta Uozumi; Kei Fujiwara; Shinya Fujii
  
• Fountains of Data: Evocation Zones
  by Scott Smallwood; Marilene Oliver; Daniel Evans
  
• Dinosaur Choir: Adult Corythosaurus
  by Courtney Brown; Cezary Gajewski
  

Workshops:

• Workshop on Musically Embodied Machine Learning
  by Chris Kiefer; Andrea Martelloni
  
• Entangled Bowing: Integrating the MetaBow into Spatialized Composition and Real-Time DSP
  by Roberto Alonso Trillo; Davor Vincze; Peter AC Nelson
  
• The AirSticks Early Adopter Hackathon: Community Building Around ADMIs
  by Ciaran Frame; Steph O'Hara; Sam Trolland; Alon Ilsar
  
• Global Entanglements, Music and the Commodification of Cultural Labour in the Age of AI
  by Tom Willma; Oliver Bown
  
• Somatic and somaesthetic design practices in NIME: Sharing experiences, methods, tools, and concepts
  by Juan Martinez Avila; Doga Cavdir; Courtney Reed; Mary Mainsbridge; Kelsey Cotton; Tove Grimstad Bang; Lucia Montesinos Garcia
  
• Gesture and Generative AI in NIME Design
  by Jason Smith; Bryan Pardo
  
• Designing Meaningful Input Devices for Movement Artists
  by Linnea Kirby; Christiana Rose
  
• MoNoDeC: The Mobile Node Controller Platform
  by Nick Hwang; Anthony Marasco
  
• Entangled Listening: Exploring Relational and Diverse Listening Practices for DMI Design
  by June Kuhn; Brittney Allen; Nicole Robson; Andrew McPherson